Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Kato, Takumi: Reinhard Keiser Maruko Junankyoku no Shiryo Kenkyu to Juyo Kenkyu. diss. (2000), 96p | |
| 2. | Kato, Takumi: Rainharuto Kaiza 'Maruko Junankyoku' no shiryo hihanteki kosatsu. KunitachiColMJ 36 (2002), 183-193 | |
| 3. | Kato, Takumi: Doitsu Junan Oratorio no Seiritsu to Reinhard Keiser no Junankyoku. OngakuKenkyu 14 (2002), 143-176 | |
| 4. | Kato, Takumi: Den Reinhard Keiser 'Maruko Junankyoku' (1707 izen) no Ongaku Goho. The musical expressions of so-called Reinhard Keiser's St. Mark Passion (before 1707). OngakuKenkyu 15 (2003), 111-135 | |
| 5. | Kato, Takumi: Nihon ni okeru Bach 'Matai Junankyoku' no Shoen. The first documented performance of J. S. Bach's Matthäuspassion in Japan (1937). OngakuKenkyu 16 (2004), 1-30 | |
| 6. | Kato, Takumi: Johann Ulrich von König no Junan Oratorio Daihon: sono Kaisaku no Katei o ou. Bandaly 6 (Mar 2007), 3-36 | |
| 7. | Kato, Takumi: Nihonjin to Bach Ongaku no Deai - Nippon no Bach Juyoshi. [ce]OmoshiroZatsugakuJiten (2009), 116-117 | |
| 8. | Kato, Takumi: Mo Hitotsu no Bach-shi -- Bach o mitsumeta Kosei no Ongakuka tachi. [ce]OmoshiroZatsugakuJiten (2009), 126-127 | |
| 9. | Matsumoto, Manabu; Kato, Takumi: Bach Ongaku o shiru Keyword 15. [ce]OmoshiroZatsugakuJiten (2009), 130-171 | |
| 10. | Matsumoto, Manabu; Kato, Takumi: Kono Bach o Kiko! Shuyo 30-kyoku Kaisetsu. [ce]OmoshiroZatsugakuJiten (2009), 175-205 | |
| 11. | Nasuda, Tsutomu; Matsumoto, Manabu; Kato, Takumi; Sawatani, Natsuki: Shitteru yode Shiranai Bach omoshiro Zatsugaku Jiten. [ce]OmoshiroZatsugakuJiten (2009), 223p | |
| 12. | Kato, Takumi: Reinhard Keiser no Junan Oratorio 'Chi ni mamire Shi ni yuku Iesu' no Kashi o megutte: 4 Shiryo ni wataru Henka no Kiseki. JLiturgMcol 9 (2009), 39-80 | |
| 13. | Kato, Takumi: Showa 17-18 Nen ni okeru Pringsheim no Bach Renzoku Ensokai Programme Shiryo. JLiturgMcol 10 (2010), 9-33 | |
| 14. | Kato, Takumi: Reinhard Keiser's Passion Oratorios: Examining the Originality and Ingenuity of the Vanguard in German Sacred Oratorio. [p]IMS_Tokyo (Mar 2017) | |